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Farnon soon entered the field of film music as well, writing his first score in for the upper-class romantic comedy Spring in Park Lane, produced by Herbert Wilcox, and the music for its direct sequel Maytime in Mayfair.
Their work became something of the model upon which he chose to build his career as a composer, and that brand of light classical music led naturally, in turn, to film composition. Farnon's main interest at the time lay in writing serious music, despite the fact that he enjoyed great success with his arrangements.
A second symphony followed a year later, and it, too, received performances in Canada, but Farnon discovered that he had little personal affinity for writing works of that depth and dimension, talented though he might have been.
At age 22, he composed his first symphony, which was performed by the Toronto Symphony inand later by the Philadelphia Orchestra. A quiet, self-effacing man, without the gift for self-promotion that rivals Percy Faith or David Rose showed, Farnon has never had a high-visibility creative role, preferring to work quietly and show himself through his work.
He subsequently had assignments for films such as Gentlemen Marry Brunettes and the screen adaptation of The Little Hut, which, as films, left relatively little impression on the public. InFarnon was assigned to write the score for his first major international film, Captain Horatio Hornblower, based on the exploits of C.
In the '60s, his screen assignments included some slightly higher profile work, such as the music for the Hayley Mills film The Truth About Spring and also the all-star western adventure drama Shalako.
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He has also been notably successful in the field of film music since the s. Forrester's naval hero of the Napoleonic era, starring Gregory Peck. This was something of a revelation to him -- their brand of music was internally complex while not overly profound, inventive and expressive without being pretentious.
Farnon made his career in England after the war, writing mood music for Chappell Music, a task at which he was eminently successful, his music not only popular in the broadcasts for which it was intended, but also entering the repertory of numerous pops orchestras in England and around the world.
A British Warner Bros. Farnon has remained a top composer in his field for 50 years. He showed a natural aptitude as a musician, and at age 19, was already being employed as an arranger with the Canadian Broadcasting Company Orchestra in Toronto, under the direction of Percy Faith.
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